Monthly Archives: March 2011

Invoking Shakti

Shri Shankara said – Liquor, which is under a curse, is the form of the Absolute. Freeing it from the curse it becomes the Absolute itself, the supreme ambrosia. O Devi, it becomes like this by offering to Mahadevi.

From the 14th chapter of Shri Matrika Bheda Tantra (translated by Mike Magee)

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Some notes on tantra

Among the many meanings of the word tantra (root tan, “extend,” “continue,” “multiply”), one concerns us particularly – that of “succession,” “unfolding,” “continuous process.” Tantra would be “what extends knowledge” (tanyate, vistarayate, jnanam anena iti tantram).

We must reckon with possible Gnostic influences, which could have reached India by way of Iran over the Northwest frontier. For more than one curious parallel can be noted between tantrism and the great Western mysterio-sophic current that, at the beginning of the Christian era, arose from the confluence of Gnosticism, Hermeticism, Greco-Egyptian alchemy, and the traditions of the Mysteries. Read more of this post

Tripurasundari

I invoke the devi Tripurasundari, mahavidya of Lalita

Goddess of Beauty and Play and Love and Joy!

Let us invoke the sweet smelling one!

Naked, with fiery green eyes and golden skin, hair aflame in crimson light

Her arms granting boons and dispelling all fear.

Her naked body marked with blood and ash,

Her heart aflame with passion and fire!

Aom!  I salute the beautiful one of three worlds!

Jai Devi! Jai Tripurasundari!

Obeiassance to the Lotus eyed one of sweet nectars, Jai Pankajakshi![1]

Aom!  With incense of sandal I salute Thee!  Jai Devi!

Aom!  With lights I salute Thee!  Jai Istadevi![2]

Aom!  With water I salute Thee!  Jai Sarvagata![3]

Be favourable to me, oh blossom honey of light!

Grant thine aid unto me, that I may come to rest

in your sweet smelling presence, Jai Shrimati![4]

With sandalpaste, ash, sindur and water I am marked

to your devotions, oh Vibhutidevi![5]

With the bijamantra HRIM I invoke Thee!

AOM HRIM HRIM HRIM!

Jai Tripurasundari!  Jai Lalita!  Jai Devi!

Oh, Mandayanti[6], grant me Thy grace!  Give me of Thy milk to drink!

Oh, Jayesvari[7], inform me with Thy blood kissess!

Let Thy brilliant light shine through me, fullfilling me of Thy divine embrace!

Jai Sadhya!  Jai Sadhwi!  Jai Sara!  Jai Savitri![8] Aom!

Aom nama Tripurasundari!

Aom HRIM HRIM HRIM!

Jai Istadevi!

Aom!


[1] (Pankaja “mud born, lotus” + akshi “eye”) The lotus eyed.

[2] One’s chosen goddess (“beloved goddess.”)

[3] (sarva “all” + gata “having gone”) Having pervaded all, having reached everywhere.

[4] (shri “beauty, light, wealth” + mati “having”) Having beauty and fortune, the beautiful.

[5] Glory, might, wealth.  Consecrated ash used by devotees of Shiva.  Also the 6th of Lalitas 108 names.

[6] Delighting, rejoicing.

[7] (jaya “victorious” + iswara “sovereign goddess”).  The victorious goddess.

[8] Sadhya, “the attainable,” a name of Lalita.  Sadhwi, “the virtuous.”  Sara, “the Essence.”  Savitri, the consort of the Sun.

[March 1998]

The Star Ruby

First appearing in print with the publication of the Book of Lies in 1913 e.v., the Star Ruby (chapter 25 of Liber CCCXXXIII) was described by Crowley as a “new and more elaborate version of the Banishing Ritual of the Pentagram.” Disciples at the Abbey of Thelema in Cefalu performed the ritual as part of their daily practices, along with Will and Liber Resh. The ritual was later modified somewhat and released in 1929 e.v. as an appendix of Magick in Theory and Practice (Book4: Part III), where Crowley also noted in chapter 13: “It is usually sufficient to perform a general banishing, and to rely upon the aid of the guardians invoked. Let the banishing therefore be short, but in no wise slurred – for it is useful as it tends to produce the proper attitutude of mind for the invocations. ‘The Banishing Ritual of the Pentagram’ (as now rewritten, Liber 333, Cap. XXV) is the best to use.” 

Built up from the traditional Lesser Pentagram Ritual of the Golden Dawn (see Liber O vel Manus et Sagittae, section IV), while similar in some aspects, the Star Ruby also has many significant differences in its structure; for example, using Greek instead of Hebrew intonations; similarly, while its predecessor is suitable for both invoking and banishing elemental forces, the Star Ruby is exclusively a banishing ritual – and a truly thorough, focused, and exceedingly powerful one. The rituals do build upon one another, and it has been found beneficial in my experience to first master the older form before working with this new and improved ritual.  Read more of this post

The Hexagram Ritual

Originally restricted to the use of Adepts of the Ordo Roseae Rubeae et Aureae Crucis (“Order of the Ruby Rose and Golden Cross), the secret Second Order of the Hermetic Order of the Golden Dawn, the ritual of the Hexagram saw the light of day with Crowley’s exposure of the Golden Dawn rituals throughout the serialized Equinox. With many subsequent exposures of the Golden Dawn’s curriculum, the ritual of the Hexagram has a much wider audience and is now common knowledge, if not use, among many magicians. One can buy a variety of books, ranging dramatically in quality, to find amongst the arcane exposed gnosis the Lesser and Greater Rituals of the Hexagram.  Yet, despite this, the ritual remains somewhat obscure to most. While the Pentagram rites are now ubiquitous amongst magicians both seasoned and new, the formula of the 6-fold star remains more mysterious, even allusive.

The Hexagram or Macrocosmic Star is a reflection in geometric form of the unity between the Divine and Human. As a talisman of the unity of consciousness and polarities (“As above, so below; as within, so without”), its’ six points are associated with the classical planets as delineated on the Tree of Life, with our radiant Father Sol placed in the center.  Of the figure of the Hexagram, Papus tells us:

“The triangle pointing up represents all that ascends, it is particularly the symbol of fire, of heat. The one with the point down represents all that descends, it is especially the symbol of water, of humidity. The union of the two triangles represents the combination of heat and humidity; of the sun and the moon. It symbolizes the principle of creation, the circulation from heaven to earth. This figure gives the explanation of Hermes’ words in the Emerald Tablet: ‘It goes up from the earth to heaven and, vice versa, it goes down to earth and receives the force of superior and inferior things. ‘”

Unlike the Pentagram rituals, which are elemental and far wider in application, the Hexagram rite was originally designed for the Adept of the Golden Dawn, and contains symbolism based upon their reception into the Second Order. The Signs of L.V.X. which open and close the rite are the symbolic gestures by which the Adept attuned to the forces of the Tiphareth as the Sun of the Soul, a representation of the GOD-MAN or homo superior, being the keys by which the symbolic Vault of Christean Rosenkreutz was opened. The Analysis of the Key Word I.N.R.I. were a further reflection on the cycle of life as represented by the Sun, as well as that interior luminary which serves the the Lamp of the Magus. The six points of the figure are attributed to the 6 classical planets in their order as given on the Tree of Life, with the radiance of Our Father Sol in the center. Each planet in turn may be associated with the inner centers of spiritual force, the chakras of the Hindus, as well as with Zodiacal influences. And so we see that the symbol is at once a reflection of the living Truth of the Emerald Tablet; once again, “as above, so below.”  The planets in their movements in the heavens are reflected in the interior centers of force in our psychospiritual makeup.

Through geometric Kabbalah the six-pointed figure is associated with the sixth sephira on the Tree of Life, Tiphareth, the “interior sun” of the magician.  As a symbol of union, the macrocosmic star represents the union of the magician with the Holy Guardian Angel. The interplay of extremes such as fire and water, light and darkness, Will and Love, symbolized by the union of the two triangles, all reflect on the nature of that attainment. As such, a full understanding of the Star of the Macrocosm may be found within the heart of the magician herself, as a reflection of the Truth of which we are all an expression.  Where the 5 points of the pentagram show the aspiration towards the divine with an equilibrium of elements and a seeming craving for the radiant L.V.X., the hexagram expresses the brilliant fire of the Gnostic Sun surrounded by six centers of force in perfect equipoise. One may enter the true Vault of the Adepts by apprehension and application of this symbol in the life of the magician.

“He that hath the knowledge of the Microcosm, cannot long be ignorant of the know­ledge of the Macrocosm. This is that which the Egyptian industrious searchers of Nature so often said, and loudly proclaimed‑‑that every one should KNOW HIMSELF. This speech their dull disciples (the Greeks) took in a moral sense, and in ignorance affixed it to their Temples. But I admonish thee, whosoever thou art, that desirest to dive into the inmost parts of Nature, if that which thou seekest thou findest not within thee, thou wilt never find it without thee. If thou knowest not the excellency of thine own house, why dost thou seek and search after the excellency of other things? The universal Orb of the world contains not so great mysteries and excellences as a little Man, formed by God to his own Image. And he who desires the primacy amongst the students of Nature, will no­where find a greater or better field of study than himself. Therefore will I follow the example of the Egyptians, and from my whole heart, and certain true experience proved by me, speak to my neighbor in the words of the Egyptians, and with a loud voice do not proclaim: O MAN, KNOW THYSELF, in Thee is hid the Treasure of Treasures.”

— The Center of Nature Concentrated; or, The Salt of Nature Regenerated, Alipili

[written September 2003]