Category Archives: vamamarga

Bhavani Tuam….

IMG_3436

 

“Oh Bhavani, do thou-give a compassionate look upon me, Thy servant.” To him who thus praying says  “Oh Bhavani Thou ” then and there Thou dost give the state of union with Thee, that state adorned by the brilliant crowns of Brahma, Vishnu and Rudra.

As Laksmidhara says that “Bhavani” as a Verb means” May I be” and Bhavani tvam = “let me be (one with) Thee”; taking it as the optative first person singular of the verb Bhii. He who thus worships the Devi becomes one with Her. The very utterance of the words “Bhavani tvam” attracts Her attention. The expression “Bhavani tvam” has two meanings. Bhavani is the vocative form of Bhavani and is also the lot (optative) first person singular of the root Bhii (=to be). The author says that when the Sadhaka is supplicating the Devi for Her Grace addressing Her as Bhavani (the consort of Bhava or Shiva) She out of Her Great Mercy mistakes as it were the meaning of the Sadhaka and understands him, when the first two words are uttered, to say ” May I be Thou ” and grants his prayer.

Sir John Woodroffe’s (Arthur Avalon) commentary to verse 22 of the Ananda Lahari

Advertisements

traveling with spirits

I have a new blog post up at the Llewellyn Worlwide site: Traveling with Spirits

Typhonian Gnosis

draconis

These are some of the most amazing articles. I have returned to them again and again over the years, and they never cease to inspire me and launch me into new gnostic vistas:

The Heart of Thelema

Going Beyond

The Typhonian Tradition

new arrival today

IMG_2625Received my proof copies of The Magickal Union of East and West today! NAT

The Magickal Union of East & West

The first 50 pages of the Magickal Union of East & West are now available for browsing via the Llewellyn Worldwide website. You are also able to pre-oder both the physical and electronic editions of the book via various sites. Contact your favorite book dealer and let them know you want to reserve your copy today!

Magickal Union East West

 

parampara

From Michael Staley’s essay The Fool:

“Initiation is not a matter of swallowing wholesale what this, that or the other illustrious person has said at some time or another, but of making it real, of arriving at your own understanding. We take influences from diverse sources, whether it be Grant, Crowley, Spare, Blavatsky, Gurdjieff, Ramana Maharshi – to name but a few – and synthesise their work via the catalyst of our own experience, creating thereby an understanding and a body of work that is intrinsic to us. People who come after us will do likewise, again from a diversity of sources. In this way, knowledge and experience is passed down, and this is one meaning of parampara or spiritual lineage. ”

Could not have expressed it better. This sums up my approach to the Mysteries, and explains the diverse range of influences that have gone into my own work.

The Magickal Union of East & West, The Spiritual Path to New Aeon Tantra explores the fruit of some of this work.

Its just this, and nothing else

However puzzling this may be, and however many philosophical problems it may raise, one clear look is enough to show its unavoidable truth. There is only this now. It does not come from anywhere; it is not going anywhere. It is not permanent, but it is not impermanent. Though moving, it is always still. When we try to catch it, it seems to run away, and yet it is always here and there is no escape from it. And when we turn round to find the self which knows this moment, we find that it has vanished like the past.

– The Way of Zen, Alan Watts

devi

ritual sounds

Really enjoying listening to some Tibetan tantrik ritual music. I use it to accompany some of the sadhana work I do, or have it playing in the background when I am studying or writing. I have a few albums, but also found some links online with good material. For example, check out this link to a 19 minute sample of very powerful, evocative ritual sounds. Conch shell, human thigh bones, cymbals, drums… remarkable, unique sounds that have an otherworldly feel and transport me to deep realms.

images

images-2images-1

 

 

 

garland of letters

new aeon tantra

“The mantras that form the girdle and necklace of the Goddess, the sacred garland of letters which form her secret names are known only to Initiates. It has been said that all mantras, originally, were words or sounds uttered by the entranced suvasini, hence great care was (and is) taken to note down exactly what escapes her lips during the critical stage of the rite. […] Not only were her most casual words revered as mantric, her gestures also were regarded as sacred mudras indicative of the power with her and of the state of tumescence she had attained.” Kenneth Grant, Cults of the Shadow

Devi

Ascent of the Fire Snake

fire snake

“In the basal (muladhara) chakra, the Kundalini is known as Amavasya (new moon), for at that place the sun and moon are conjoined; hence the muladhara is a dark power-zone. The next centre, svadhisthana, is flecked with the sun’s rays, hence it is a region of twilight, i.e. mixed moon- and sun-light. The third zone, manipura, is likewise of a mixed nature. On attaining the stage of Anahata, in the region of the heart, Kundalini is bathed in effulgence, and continues to be effulgent until She reaches the place of the Moon (at the vishuddha), the Qoph centre. The Ajanachakra, which represents Kundalini in exaltation, is the Pure Palace of Serene Brilliance. And so the ascent occurs from darkness, through twilight to sunlight, and finally to the cool lunar region of eternal snows which is bathed in the perpetual radiance of the Shri Chakra itself.” – Kenneth Grant, Cults of the Shadow

Pre-Order the Magickal Union of East & West

The pre-order page is up and running. Get your discounted orders in ahead of time!

Image

Order here: https://www.llewellyn.com/product.php?ean=9780738740447

Radiance of the Eternal Night

Altar

The Great Goddess Herself in the form of Kali is a star traveller. She that moves beyond the realms of light itself is also beyond the confines of time; the first star walker that brought the fire of consciousness to the human race. We know Her in Thelema as Nuit, or Babalon, depending on Her many moods and boons. The Adept that has the siddhi of the Goddess resides in that base of pure awakened consciousness; to such a Victorious One, space and time are tools and the Devotee partaking of this magical grace becomes a traveller through space and time.
Jai Devi! Jai Kali!

13 Dimensional Art

It was Nietzsche  that said “when you gaze long into an abyss the abyss also gazes into you.” (Beyond Good and Evil).  Mystics and adepts of western esoteric traditions have long been aware of this principle, although rarely have individuals taken their path to such visceral levels, emphasizing instead the LVX of the Tree of Life and the dayside or Solar mysteries of the Holy Guardian Angel.  This is the beginning of the path.

Once armed at all points, the journey to the depths of existence must commence in earnest. Certain advanced occult groups and individuals have made the exploration of the Void their focus; due to the very nature of such work, they tend to function as specialized cells forming secretive networks of travelers and explorers across space and time. For such, the distant stars and endless gulf of space are a matrix of time travel and indeed the very face of the Abyss, looking within.

The tantriks of Vajrayana and Hindu Vamamarga traditions have opened gateways to the Beyond and looked deep past frontiers of the known into that primal radiant darkness. In the cremation ground sadhanas of the Dark Goddess, the extra-temporal eternity of the Kalachakra, and the eternal presence of Dzogchen are embodiments of this secret tradition.

It is the artist perhaps that most directly opens to these grand vistas, and has the capacity to communicate what thy have experienced on the other side. Whether with visual, musical or poetic, the artist cohabitates most intimately with that nameless Void. As with the myth of Prometheus, stealing fire from the Gods and bringing it back to humanity, the artist travels to such realms of the empyream as are only glimpsed fleetingly by dayside consciousness. The artist conquers their fear and hesitation, leaping forward into the Unknown, and brings back such dark fruits as their capacity will permit.

One such artist working today is Malvika Jay. Her 13 Dimensional Art project is described by the artist as “(awakening) Fantastic, metaphysical and surrealistic subject matter, kaleidoscopic, fractal or paisley patterns, bright and/or highly contrasting colours, extreme depth of detail or stylisation of detail.” I would go further and say that what she has managed to convey oftentimes defies the minds capacity to analyze and label. The shadows drip like liquid light into vaguely recognizable forms, then again dissolve before your eyes only to recombine again into something else, something other. The closer you look, the more you realize that what was initially familiar is truly otherworldly, as new connections, new shadows radiate out into a spectrum of color that is not of this earth. This work is alive, and breathing, and right in front of your face. Even should you look away it is too late, for it has met your eyes and continues to stare deep into your soul, long after the visual image has subsided.

Do check out her ongoing magick that acts as gateways to other dimensions, time travel, extra-terrestrial and multi-dimensional entities, non-euclidean visions… Come close and warm yourself by the Fire she has stolen from the Stars. Look closely; you will be forever changed by what you see looking back at you.

13 Dimensional Art

 

 

 

 

Trees of Eternity

Kali

Unless occultism becomes creative in the sense of opening up new approaches, modifying and developing traditional concepts and generally revealing a little more of the Supreme Goddess whose identity is hidden behind the veil of Isis, Kali, Nuit or Sothis, there will be stagnation in the swamp of beliefs rendered inert by the recent swift acceleration of humanity’s consciousness, which is little short of miraculous. If the science of the unmanifest is not to remain grounded at a pre-pubescent stage, while the manifested sciences soar into space, the mature occultist must put aside the toys of superstition and face fearlessly the Trees of Eternity whose trunks and branches glow with solar fire, but whose roots are nourished in the dark. – Kenneth Grant, Nightside of Eden

 

Trees

Strategic Sorcery on the Oath of the Abyss (reposted)

Below is a repost of my recent interview at warlock asylum, with insightful commentary from The Strategic Sorcery blog of Inominandum. Do check out the rest of his blog for a wealth of great articles.

http://www.inominandum.com/blog/interview-with-a-mystic/

Coming in July 2014

Image

A Siddha lives in total freedom

This is taken from a colleagues post elsewhere:

One of my mentors paraphrases Siva Sutra 3.13 this way: “A Siddha lives in total freedom.”

My mentor comments further: The state of a Siddha is the state of freedom.

For the embodied soul there are only two possibilities. One is the state of bondage in which he loses the awareness of his nature, his glory, his power of understanding, and becomes contracted. He feels, “I am small, I am a sinner, I am subject to birth and death.” His own outlook is the thing that shrinks him day by day. As he meditates on and ponders his own limitations, he becomes completely bound.

The other possibility is the state of absolute freedom. By the grace of the Guru, a person’s inner Sakti is awakened through the process of shaktipat. Unfolding, his Sakti fills him with consciousness, and he is gradually freed from cravings and desires, the pull of the sense organs, and from all limited states. He achieves total union with the supreme Self.

A person who has achieved mastery over his senses and their objects is called a Siddha. One who sees this world, which the ignorant experience as full of sorrow, to be the outer sport of Parasakti is a Siddha. One who has risen above the three bodies and their corresponding states is a Siddha. One who has rid himself of notions of acceptance and rejection and has burned away the imaginary distinctions of virtue and sin, enjoyment and liberation, worldliness and spirituality in the fire of inner knowledge is a Siddha. That great soul regards all the thoughts that arise within him, whether good or bad, as the stirrings of the Self. One who has become the universe, the Lord of the universe, and the Soul of the universe; one who is his own path and his own destination; one who is fully active and yet supremely inactive; one who is aware “I am Siva” – he is a Siddha.

So ends the commentary.

crimson blossoms

Jai Kali

Who is this astonishing feminine presence
dancing in the universal field of battle?
Truly naked, eternally sixteen,
with magnificent dignity she stands
on the breast of Absolute Reality
that assumes the aspect of snow-white Shiva,
his body also naked truth
as he sleeps in supernal contemplation

All blood ever shed in sacrifice or conflict
streams down her brilliant black limbs
like crimson blossoms floating on dark waters.
Her face is diamond bright, clearer than the full moon.
Infinite wisdom energy pulsates
through her mysterious blackness.
Her powerful wisdom laughter
awakens and heals,
flowing in wave after wave of sweet nectar.

This poet is overwhelmed,
singing with tears of rapture:
“Those who long for conscious union with reality
should meditate with constancy
on the dark blue lotus feet of Kali,
enshrined in the secret heart of humanity,
ensuring the liberation of all finite beings
from the illusion of finitude.”

Ramprasad Sen (as translated by Lex Hixon in Mother of the Goddess)

New Aeon Tantra

New Aeon Tantra

the radiant void at the heart of tantra

Great Goddess

The dance of tantra is the dance of maya; a dynamic  microcosm of life with the panchatattva elements each symbolizing not only parts of our daily life and body, but the primordial elements, the building blocks of the universe. This dance of life will not fit into expectations or preconceived notions; while there may be general guidelines, the nature of this path is that it is unpredictable.

Tantra, whether Kaula or Vajrayana or beyond, is a dance and interplay of energy. At the heart of this energy is the void, Nuit. This is the same Heart of Thelema, a complex philosophy that embodies a western Tantra with the Great Void at the very core of the idea of True Will. Read more of this post

On Compassion, Community and Conflict

I have not talked about groups that I have worked with (yet), but here is a great post on some related ideas. Compassion is certainly a topic worthy of deep consideration.

The Blog of Baphomet

One of the three treasures of Buddhism is the Sangha. This is the community of practice. Those people around us who support us in what, in western magick, we might call The Great Work or perhaps the process of Illumination. As someone who thrives on close collaboration (the majority of the books on which my name appears are co-authored texts) and communal activity (since the age of fifteen much of my esoteric work has happened in groups) the Sanhga is essential to me. Of course it’s not like that for everyone; some folks really thrive on working alone, or perhaps with just one other person. More accurately, most of us (even gregarious me) will have periods in which we need solitary practice and other times when we want to come together with others.

I’ve been fortunate to work within many organisations over the years; ranging from The Order of Bards…

View original post 959 more words

East meets West: New Thought, Thelema, and The Holy Order of Krishna (reposted)

An insightful new post from Phil Hine on the Holy Order of Krishna – do check it out!

Influences, part 2

Continuing from an earlier post that mentioned some of the guru/teacher figures that have been important in my own Work, in this post I’ll mention some of the traditions and philosophies that I find of personal significance.

Read more of this post

Influences

In my teens I was in a few bands. I played guitar and also would program our electronic drum machine. Seems we were always looking for a real live, human drummer to round out the lineup (harder to find than you might imagine!). One thing about being in a rock band is that you are always mentioning your influences in order to give a sense of where you originated from, what inspires your own music and creativity, and so on. This type of description would also be used to help find other musicians, such as a drummer! Basically, what are your roots? For our band the Brethren, we had some clearly defined influences: The Sisters of Mercy, Red Lorrie Yellow Lorrie, Fields of the Nephilim, Killing Joke… The idea was that given enough references to influences, you might attract the sort of fellow musicians and fans that are drawn to a particular sound or genre. In our case, that was “death rock.”

Read more of this post

A reminder…

Buddha

Do not believe anything (simply) because you have heard it.

Do not believe in traditions because they have been handed down for many generations.

Do not believe in anything because it is spoken and rumored by many.

Do not believe in anything (simply) because it is in your religious books.

Do not believe in anything merely on the authority of your teachers and elders.

But after observation and analysis, when you find that anything agrees with reason and is conductive to the good of and benefit of one and all then accept it and live up to it.

– Gautama Buddha, Anguttara Nikaya vol I

radiant black storm clouds

Another poem from the Shakta poet Ramprasad Sen. His words never fail to evoke Her presence, and I am only reading translations. I can only imagine how the original would stir the soul and shatter any false illusions of separation between us. You want to look into Her eyes? Feel Her breath? Hear Her sweet laughter? Let the poet evoke Her before you, in all of Her majestic glory.

Peacock

Radiant black storm clouds
expand acros the sky of pure awareness.
The peacock of my mind reveals its brilliant colors,
dancing in the bliss of holy expectation.
Kali’s wisdom thunder rumbles
with her power that can level mountains.
The fiery tracery of lightning flashes
forms her wonderful smile of ecstasy.

The lover of Ma Kali gazes intently,
tears pouring down like monsoon rain.
Only these most precious drops
can quench the thirst of the heart,
that rare winging creature
who drinks only from limitless sky,
never from limited pools or streams.
To be born in this body composed of common clay
is a heavy burden for the soaring soul.
To incarnate again and again
across this vast planetary realm
can never slake our burning thirst for reality.

Proclaims the liberated one
who sings this gnostic hymn:
“No more birth from the womb of the matter,
only emanation from the Divine Mother.”

Read a larger collection of Ramprasad in translation from Lex Hinton’s excellent work Mother of the Universe: Visions of the Goddess and Tantric Songs of Enlightenment.

Ramprasad Sen: Shakta Poet

Ramprasad Sen: Shakta Poet

The Bengal poet Ramprasad wrote exquisite verses to Queen of the Universe, expressing the intense devotion and longing he felt for the Beautiful One. His words express the pure flow of bhakti. Reading them, once can feel the depth of emotion on a pure, visceral level of being.
kalima
A few samples from his work follow:  Read more of this post

Awakening mantras

Devi

The twelfth chapter of the Chandi Path (more fully called the Devi Mahatmayam or Durga Saptashapti) elucidates the many benefits deriving from the joy of celebrating the Great Goddess in her form of Durga. Holding that Devi in your heart and approaching her with love, she naturally bestows her grace and blessings. Let the Goddess herself be your guide and guru, inviting her into your heart.

It also may be used to consecrate and activate mantras that may need to be “woken up” or blessed by the Goddess herself. Be certain that you approach her with love and a pure motivation, and that your use of the mantra is in accord with True Will. In this day and age, when self proclaimed gurus abound and the vidya is becoming increasingly popular and diffused from the point of origin (the Goddess herself!), it certainly does not hurt to reconnect to the source behind the mantra, and allow that great Shakti to irradiate it with life, love, and power. Read more of this post

Jai Kali, Shunya Vasini Devi!

Victory to Kali, the Goddess Who Dwells in the Void!

your black eyes
are eternities
pulling me into you
honey nectar
liquid starlight
giving all

8npwj6caea07ho8r.D.0.KALI_MAA(1)

there is nothing in the universe more beautiful than you

Jai Kali, Shunya Vasini Devi!

Tantrik Thelema in South India

Founded in 1905 by Dr. T. R. Sanjivi in Tinnevelly, South India with “the sole purpose of educating people to culture the light that is latent in one and all,” the Latent Light Culture and its inner order The Holy Order of Krishna teach practical yoga methods based of an esoteric and initiated interpretation of the Bhagavad Gita.

The  founding material of the organization from the 1920’s is attributed to the mysterious author “Bhikshu”, and contains a strong influence of Thelema and the writings of Aleister Crowley mixed in with the initiated tantrik teachings of the Gita.

A few excerpts:

“Act Thou, therefore, when opportunity confronts you; responding to it, meeting it bravely, utilising it, actively. ‘Do what thou wilt’, say the Masters, ‘Shalt be the whole of the Law,’ of Dharma of Karma — only he who doeth is the Karmi; he who wills to do and doeth is the Karma Yogi; the Deed is the Karma, his future, his Destiny the harvest of his Thoughts and Acts. Your Deed is the expression of your will, the will in you; say then to yourself ‘I Will’ and Act. So acting shalt thou not sin, says the Lord Krishna.”

“In this then shall be the Ordinanace (Sastra) for you Karma Yogi, in the dictum of ‘Do what thou wilt’ which shalt be for thee the whole of the law, teaching you comprehensively what to do, what to avoid, this the only ordinance; ‘do what thou wilt, then do nothing else’; we shall repeat it constantly, without end, that you may be unified of will, that in all your act you may bring all the universe that is of you, that in your act the whole of you and not the puny portion of you miscalled ‘I’ at the threshold, at the outer gate of consciousness, may act, and impress itself on the even that anyhow must be.”

Karma Yoga, 1928

“The first and greatest of all priveledges is to have accepted the Law of the Gita: Yatha Ichchhasi Tatha Kuru (Do What Thou Wilt) – to have become free and independent and to have destroyed all fear, whether of custom, faith, of other men and of death itself. “Fear not at all, fear neither men, nor fates, nor gods, nor anything. Money fear not, nor the laughter of the frivolous folk nor any other power in heaven, upon the earth or under the earth.”

– From the  grade paper of the First Degree of the Holy Order of Krishna.

This is the group that originally produced the celebrated tantrik commentary on the Ananda Lahari that was referenced by several of the works of Kenneth Grant in his Typhonian Trilogies.

Sadly the organization today seems to shy away from the more esoteric traditions that it was founded on, although the grade papers still show influences of Thelema. Deeper material such as the ritual magic of the Sri Vidya encoded into the Ananda Lahari (the Wave of Bliss, which consists of the first 41 verses of the Soundarya Lahari) is mixed in with a new spiritual interpretation of the Gita.

the gift of bhava

Reflecting on the idea of the usual roles between sadhaka and Devi reversing themselves (see my earlier post), it brought to mind the manifestations of bhava that occur in devotees of the Goddess (often arising from bhakti). This is very much a type of possession, where the Devi experiences through the body and senses of the individual.

June McDaniels excellent study Offering Flowers, Feeding Skulls: Popular Goddess Worship in West Bengal is highly recommended in this regard. An excerpt:

One form of spontaneous possession is found more frequently in practitioners of tantra and bhakti yoga. This is colloquially called bhava, short for devabhava (a general term for divine state or state of unity with a deity) or bhavavesha (the state of being overwhelmed or possessed by bhava). Bhava combines possession and devotional love, allowing the possessed person to retain consciousness in the midst of the goddess’s power and presence. It shows intense love of a deity, and a person’s humility and willingness to submit to the goddess.

Bhava is a tangible gift of the goddess, for as She manifests in the devotee they experience the divine bliss of Her presence in their very body.  As the Shakta poet Ramprasad wrote, “Whoever gazes upon this radiant blackness falls eternally in love.”

155986135_d5b9f3e183

om mahakalyai ca vidmahe smasana vasinyai ca dhimahi tanno kali pracodayat
(“Om we contemplate on the Great Goddess who takes away Darkness, we contemplate She Who Resides in the Cremation Grounds, may that Goddess direct!”)

Jai Kali Maa!

Maa Kali

A wonderful image of the Great Goddess from Deepika Suman photography:

Be sure to check out her excellent photography blog

The Goddess of Infinite Space and Infinite Stars

Nuit

April 8, 9 and 10 are important milestones in the tradition of Thelema, marking the grounding of Liber AL vel Legis, the Book of the Law. This book is the first great Western Tantra, ushering in a new era of awakened consciousness for those that choose to consciously step forward into the morning light of the New Aeon.

As for the veracity of such “modern” writings, I am reminded of a quote from Sir John Woodroffe from his commentary to the Anandalahari:

The Tantras however appear and disappear according as they are revealed or withdrawn. Their authority does not depend on the fact that they were published to men on a particular date but on the Siddhi to which they lead; that is, the actual result flowing from them. This result proves the authority of the Tantra even though it were revealed yesterday.

The rewards of working with this direct path to realization are manifold and unique to every individual that comes to know and fulfill the True Will.

May all sentient beings, boundless as the sky, have Real Peace, Real Freedom and Real Happiness!

Black Night

DeviHer eyes are black
and infinity stares into me from them
Her red lips are parted in a smile,
showing her brilliant white teeth
and her red tongue hanging out with intoxication
of celestial love
I am drunk on you
before even first tasting the patra
I am drunk on your love
the blood from your lips
is honey in my mouth
warm and coruscating though every part of my body
my heart is a burning ground
where I love you
I give myself to you completely
your name is ecstasy to me
every syllable, every letter
drips nectar into my soul
in union with you
everything is Bliss
the doorway to that radiant Night
the mirror of that infinite kiss
releases lies of separation
take my head, Kali!
drink deep my blood that I may be with you
this bliss is an outer garment
a play a dance a song
of your radiant eternal night

I am Her murti

Jai KaliGenerally speaking, the sadhaka will be placing life into the murti on the shrine with prana pratishta after a series of ritual acts of purifying and energizing your body. The elements are purified and activated with bhuta shuddhi. The energetic levels are equilibrated with pranayama. Mantras and accompanying mudras are given. Light, incense, water, flowers, the very Self is presented as offering. The divine aspect is projected out with the breath into the statue, often onto a flower either physical or visualized; the cold statue becomes divinized, the Goddess is present, and worshipped accordingly.

That is not what is happening.  Read more of this post

chaos and passion

Bhairava, a fierce form of Shiva. Kathmandu, Nepal

June McDaniel’s The Madness of Saints: Ecstatic Religion in Bengal gives a detailed explanation of the contrast between the traditional and formal approach of the right hand path, and the truly bacchanalian and chaotic spontanaity of the left hand:

The path of progression is associated with Jame’s lysis or gradual approach. It emphasizes order and harmony, and the divine is reached by self-control and obedience. The god is most present in the greatest purity — of self, of place, of statue. Such purity involved loyalty to lineage and tradition, acceptance of hierarchy and authority, and ritual worship and practice.  Ecstasy is attained by faith and learning, by acceptance of dharma, and avoidance of siddhis (powers) and self-glorification. Such a path  is yogic and devotional, and called in Bengal sastriya dharma, the path of scriptural injunctions.

The path of breakthrough is associated with Jame’s crisis, or abrupt change. It emphasizes chaos and passion, and the divine is reached by unpredictable visions and revelations. The presence of deity is not determined by ritual purity — the god may be found in pure situations, but also at the burning ground, at the toilet, in blood and sexuality, in possessions and ordeals. Initiation and lineage do not determine  experience — often there is a “jumping” of gurus — where different gurus are followed at different times. The criterion of status is neither yogic knowledge nor ritual skill, bur rather bhava, the ecstatic state that comes with experience of the divine. Such states are called sahaja (natural and spontaneous) or svabhavika (unique to particular individual). The path is more generally called asastriya, or not according to the scriptures.

While these two general approaches apply to the work as a whole, it is also interesting to note that in the tantrik sadhana and specifically with the ritual of panchatattva, both are combined. There is a lineage of instruction and ritual technique, which if persisted in deeply will transform into spontaneity  and unpredictability. In this sense, the tantras have encoded into them the essence of developing spontaneous creativity as well as providing the means to forge the link to the true Guru. Tantra, followed sincerely and with all that one is, is a fast and direct path of realization that is unique to every person, while still growing out of known forms and traditions of lineage.

Notes on the Kaula Commentary

From the tantrik commentary by Curwen (quoted in Beyond the Mauve Zone):

mamsa still continues to be flesh; meena still floats like fish in the water by which it is surrounded; mudras are secrets to all but initiates and cannot be communicated ecept by word of mouth and face to face with the Guru; and maithuna alone can rejuvenate her after the exaustion of the Puja.

Grant continues:

The wine or madhya is the urine of the Suvasini after the Fire Snake has absorbed the amrita or nectar of the ultimate chakra, Sahasrara. This nectar or soma is the ‘moon-juice’ of ancient Vedic lore. The flesh, mamsa, is the lunar emanation embodined in the menstrual fluid at a certain stage of its flow; and the fish (meena) is a secretion that swims in the waters of the lotus-pool. The maithuna is the mystical congress of Shiva and Shakti — Consciousness and its Power — in the Sahasrara Chakra.

[…]

For the fully initiated Kaula Adept, the universe is a manifesation of perpetual joy, bliss, Amrita (deathlessness), from which he distils the elixir of immortality. Liber AL, today, echos his paen of rapture:
Remember all ye that existence is pure joy; that all the sorrows are but as shadows; they pass & are done; but there is that which remains.

[…]

The final bija, Krim, is the bija-mantra of Goddess Kalika, the hidden Principle of Creation described in the Ratrisukta as ‘Night.’ She it i who reveals the universe as a shadow (chaya). She is the reflex of all colours (kalas), Herself ‘without colour’; black. Yet is She the background of light, and the crescent (shashi-kala) on Her brow denotes that She is the originator of nada-bindu-kala, the trikona at the center of the Sri Chakra. When fully self-expressed She appears as Uma, with the glamout of the full moon, and is then known as Sri Vidya. Her essence, however, is always Ama (darkness). Uma (light) and Ama (darkness) are the twin poles between which flashes the vibration AUM. As Japa of the bija-mantras leads the Fire Snake progressively higher, do do the energies released in the lower chakras, bordering the subconsciousness, become increasingly active.

The True Guru

“As the western adept is required to have established contact with his ‘Holy Guardian Angel’ (in Tiphareth) before achieving initation into the Greater Mysteries, so the eastern chela has to have raised the Fire Snake to the Place of the Guru (Âjna chakra) with whom he renews contact  in each incarnation in order to maintain continuity of magical consciousness in the waking-state. A further comparison: during sadhana, the Self (Atma) assumes an external form and appears as the Guru, or inwardly as the Angel. The Fire Snake also appears outwardly and assumes the form of the Suvasini or of the Scarlet Woman.”

Beyond the Mauve Zone, Kenneth Grant

Divine Pride

Reflecting back on a post from the other day, I was reminded of this wonderfully simple description:

“The main Ethics of the Book of the Law. Man is asked to act as if it were true that he is a spark of that great light of God. Those who insist on making that assumption, on basing all their lives on it, are the Thelemites.” (Churton quoting unpublished AC)

This is the practice of Divine Pride as taught in the tantras, wherein the personal self is given over completely to the chosen deity such that it for a time lives inside of the practitioner. The Goddess then sees with your eyes, hears with your ears, tastes and speaks with your mouth, feels with your heart. Your very body becomes the temple of the divine and allows the infinite to experience the finite.

Through practices of purification, dedication and self exploration, the personality may be tuned such that it is able to open up to this Divine Pride. Generation stage practices for example, where the deity is visualized in great detail as external to the operator, are part of this process of training. Another approach is given in the western practices of “assumption of God forms,” although without much of the explanatory and supporting practices unless one is careful to follow a detailed training regimen of foundational exercises in yoga, meditation and ritual.

Live life according to Thy Will is the First Step, and the Last Step. For many that may be the entire Journey, and as such there is no greater reward.

(As a side note, Churton’s biography of the Old Man has a post from last year in the Telegraph)

Jai Kali, Jai Ma Bhavatarini!

Victory to Kali, Victory to the Mother, the Savior of souls!

godess-kali-1

Salutations again and again

to the Devi who abides in all beings in the form of consciousness;

to the Devi who abides in all beings in the form of intelligence;

to the Devi who abides in all beings in the form of sleep;

to the Devi who abides in all beings in the form of hunger;

to the Devi who abides in all beings in the form of power;

to the Devi who abides in all beings in the form of modesty;

to the Devi who abides in all beings in the form of peace;

to the Devi who abides in all beings in the form of faith;

to the Devi who abides in all beings in the form of loveliness;

to the Devi who abides in all beings in the form of compassion;

to the Devi who abides in all beings in the form of contentment;

to the Devi who abides in all beings in the form of mother.

May that Devi, the Mother, who appears in the form of all things,

bring forth benefits for all who sing Her praises.

Jai Maa!

P1040346[8]Victory to that Great Goddess! Jai Maa!

 

Waves of Bliss

Oh Mother, may all my speech, howsoever idle, be recitation of Mantra; may all the actions with my hand be the making of ritual gesture ; may all my walking be the pacing around Thy image in worship ; may all my eating and other functions be Homa rites; may the act of my lying down be prostration before Thee; may all my pleasures be an offering to the great self. Whatsoever I do may it be counted for the worship of Thee. –Anandalahari, v.27

The Secret Self

compassion

“…there is another kind of love and compassion… Just be what you are… You simply be what you are in the world, in life. If you can be what you are, external situations will become as they are, automatically. Then you can communicate directly and accurately, not indulging in any kind of nonsense, any kind of emotional or philosophical or psychological interpretation. This third way is a balance way of openness and communication which automatically allows tremendous space, room for creative development, space in which to dance and exchange.”

There is no law beyond: Do what thou wilt

“The fundamental characteristic of true compassion is pure and fearless openness without territorial limitations. There is no need to be loving and kind to one’s neighbors, no need to speak pleasantly to people and put on a pretty smile. This little game does not apply. That is the basic openness of compassion: opening without demand. Simply be what you are, be the master of the situation.”

The vice of kings.

“That fearless vision reflects on you as well: it affects how you see yourself. If you look at yourself in the mirror — at your hair, your teeth, your mustache, your coat, your shirt, your tie, your dress, your pearls, your earrings — you see that they all belong there and that you belong there, as you are. You begin to realize that you have a perfect right to be in this universe, to be this way, and you see that there is a basic hospitality that this world provides to you. You have looked and you have seen and you don’t have to apologize for being born on this earth.”

every man and every woman is a star

(main quotes are from Chogyam Trungpa’s Cutting Through Spiritual Materialsm)

eternity

I worship the greatly beautiful one, with limbs the colour of thunderclouds, who is naked and sits on the corpse of Shiva, who has three eyes and earrings made of the bones of two young handsome boys, who is garlanded with skulls and flowers

Invoking Shakti

Shri Shankara said – Liquor, which is under a curse, is the form of the Absolute. Freeing it from the curse it becomes the Absolute itself, the supreme ambrosia. O Devi, it becomes like this by offering to Mahadevi.

From the 14th chapter of Shri Matrika Bheda Tantra (translated by Mike Magee)

Some notes on tantra

Among the many meanings of the word tantra (root tan, “extend,” “continue,” “multiply”), one concerns us particularly – that of “succession,” “unfolding,” “continuous process.” Tantra would be “what extends knowledge” (tanyate, vistarayate, jnanam anena iti tantram).

We must reckon with possible Gnostic influences, which could have reached India by way of Iran over the Northwest frontier. For more than one curious parallel can be noted between tantrism and the great Western mysterio-sophic current that, at the beginning of the Christian era, arose from the confluence of Gnosticism, Hermeticism, Greco-Egyptian alchemy, and the traditions of the Mysteries. Read more of this post

Tripurasundari

I invoke the devi Tripurasundari, mahavidya of Lalita

Goddess of Beauty and Play and Love and Joy!

Let us invoke the sweet smelling one!

Naked, with fiery green eyes and golden skin, hair aflame in crimson light

Her arms granting boons and dispelling all fear.

Her naked body marked with blood and ash,

Her heart aflame with passion and fire!

Aom!  I salute the beautiful one of three worlds!

Jai Devi! Jai Tripurasundari!

Obeiassance to the Lotus eyed one of sweet nectars, Jai Pankajakshi![1]

Aom!  With incense of sandal I salute Thee!  Jai Devi!

Aom!  With lights I salute Thee!  Jai Istadevi![2]

Aom!  With water I salute Thee!  Jai Sarvagata![3]

Be favourable to me, oh blossom honey of light!

Grant thine aid unto me, that I may come to rest

in your sweet smelling presence, Jai Shrimati![4]

With sandalpaste, ash, sindur and water I am marked

to your devotions, oh Vibhutidevi![5]

With the bijamantra HRIM I invoke Thee!

AOM HRIM HRIM HRIM!

Jai Tripurasundari!  Jai Lalita!  Jai Devi!

Oh, Mandayanti[6], grant me Thy grace!  Give me of Thy milk to drink!

Oh, Jayesvari[7], inform me with Thy blood kissess!

Let Thy brilliant light shine through me, fullfilling me of Thy divine embrace!

Jai Sadhya!  Jai Sadhwi!  Jai Sara!  Jai Savitri![8] Aom!

Aom nama Tripurasundari!

Aom HRIM HRIM HRIM!

Jai Istadevi!

Aom!


[1] (Pankaja “mud born, lotus” + akshi “eye”) The lotus eyed.

[2] One’s chosen goddess (“beloved goddess.”)

[3] (sarva “all” + gata “having gone”) Having pervaded all, having reached everywhere.

[4] (shri “beauty, light, wealth” + mati “having”) Having beauty and fortune, the beautiful.

[5] Glory, might, wealth.  Consecrated ash used by devotees of Shiva.  Also the 6th of Lalitas 108 names.

[6] Delighting, rejoicing.

[7] (jaya “victorious” + iswara “sovereign goddess”).  The victorious goddess.

[8] Sadhya, “the attainable,” a name of Lalita.  Sadhwi, “the virtuous.”  Sara, “the Essence.”  Savitri, the consort of the Sun.

[March 1998]